Amanda Peet’s Our Very Own Carlin McCullough is a drama of subtle but pointed misdirection. This talky, triangular study of a 10-year-old tennis prodigy, her big-hearted coach, and her struggling single mother proves to be less straightforward than it appears, comfortable with keeping the audience off-balance and skewing their perceptions to meet those of its blinded characters. Some hardly telegraphed reveals arrive abruptly, while other seemingly foreshadowed twists never come. And yet, despite these maneuvers, the play never feels calculated. Only human.
Making its world premiere in Los Angeles on Wednesday night, Carlin McCullough — a last-minute addition to the Geffen Playhouse’s 2017-18 season, replacing Neil LaBute’s Fat Pig — serves as a resounding affirmation that Peet’s auspicious debut, the 2014 Off Broadway play The Commons of Pensacola, was no fluke. Indeed, this is an even stronger effort: patiently paced as it builds to a dramatic crescendo, and stuffed with provocative questions about parenthood, mentorship, and family structure which it neither answers nor skirts, but rather mulls over with care and intelligence.
At the outset, Our Very Own Carlin McCullough looks like it might be taking on the twisted authority figures who have dominated the news this last year with abuse scandals in USA Gymnastics, USA Swimming, the Canadian women's ski team and other amateur sports. But this new play, written by actress Amanda Peet, is actually something much more — a deep dive into the desperate parents, extreme training costs, gruesome politics and wrecked childhoods that are pretty much standard-issue in these worlds. All that, of course, makes these kids easy prey when there's a monster in the locker room. But let's not get ahead of ourselves just yet.
Amanda Peet's second playwrighting venture was originally crafted with “American Horror Story” mainstay Sarah Paulson in mind.
Now, the story of “Our Very Own Carlin McCullough” centers around the triangular relationship between Cyn (Mamie Gummer), her tennis prodigy of a daughter (Abigail Dylan Harrison at 10 and Caroline Heffernan at 17), and her daughter’s coach (Joe Tippett), who seeks to make her a champion. But in the beginning of her writing process, Peet was writing Cyn for her “old, old pal” Paulson.
“I was writing it for Sarah because she does a weird Georgian accent. And the character was a drunk, racist mom from Georgia in the original incarnation of the play,” Peet shared with Variety after the opening night performance at the Geffen Playhouse in Westwood.
After the script went through more rewrites and iterations, Peet envisioned Gummer for the role of the conflicted mother figure instead. “I’ve been a really big fan of Mamie’s for a long time, and I particularly felt like she was really good at both comedy and drama. So she was someone I thought about very early on for the part,” Peet said.
"Amanda Peet is perhaps best known as an actor—notably nuanced dramatic and comedic performances decorate her résumé with films like “The Whole Nine Yards” and “Syriana” and TV shows like “Togetherness” and “Brockmire.” But she’s currently reprising her role as a playwright. After penning the 2013 Off-Broadway production, “The Commons of Pensacola,” which starred Blythe Danner and Sarah Jessica Parker, her latest, “Our Very Own Carlin McCullough,” is running June 19, to July 29 at the Geffen Playhouse in Los Angeles. The play follows the titular 10-year-old tennis prodigy as she’s caught between her longtime coach and conflicted mother. Mamie Gummer stars as Carlin's single mother, Cyn, in the Tyne Rafaeli–directed play. Peet recently spoke with us about how writing has made her a better actor and her roots with Backstage."
"When actor Amanda Peet was a child, she developed a friendship with a camp counselor that some deemed inappropriate. "He just paid too much attention to me, basically, and I think probably with what’s going on currently in our culture, he would have been fired immediately," says Peet. "So, times have changed."
The incident is part of what inspired Our Very Own Carlin McCullough, Peet’s new play starring Mamie Gummer, Abigail Dylan Harrison, Caroline Heffernan, Tyee Tilghman and Joe Tippett — which began previews June 19 at L.A.'s Geffen Playhouse, opens June 27 and continues through July 29."
"The alchemy involved in new play development is a fragile balance and begins with the right collaborators. In the case of Our Very Own Carlin McCollough, the first two elements include playwright Amanda Peet and director Tyne Rafaeli. I had the opportunity to sit down with them in the early part of their rehearsal process to discuss the art of creating a new play."
"Amanda Peet says her house often resembles a lunatic asylum. That’s largely in reference to the outsized creative endeavors of her three young children, but it’s also a description of a household devoted to writing — a solitary and crazy-making pursuit.
Peet may be best known as an actress, having appeared in films such as “The Whole Nine Yards” and “Syriana” and in TV shows, including the Duplass brothers’ family dramedy, “Togetherness.” But she’s also a serious writer, with her second play, “Our Very Own Carlin McCullough,” set to begin previews Tuesday for its world premiere at the Geffen Playhouse.
Peet’s husband is David Benioff, also a serious writer. He adapted his first novel, “The 25th Hour,” into a screenplay for a movie directed by Spike Lee. He also writes many of the episodes for a little HBO show called “Game of Thrones,” which he co-created with D.B. Weiss."
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